Our Customers

Chosen by professionals


Our customers come from all corners of the globe and represent some of the most talented and innovative studios in the entertainment industry. From major motion picture studios to independent production companies, our customers trust VoiceQ to provide them with a seamless and efficient dubbing and ADR experience.

ClientsCase studiesTestimonials

Supporting our customers to deliver results to top content providers

Current clients and partners

View our full client list
3Cycle
528 Post Audio
A.R.T. Studios Gmbh
Adrenaline
Agile Entertainment
Amafu
Amazonas
Askari Productions
Audio Militia
Audio Pigment
Audio-league
AzamTV
Bang Zoom!
Bigmouth
Binnacle Entertainment
Blend
CaptionLabs
Central Integration (Pty) LTD
Cine Dub
Cinekita
Clear Perceptions
College d'alma
Content Lab
Dadson Studios France
Delart
Deluxe
Descriptive Video Works
DuArt
Duottar Studio
Ear Candy
Eicar
Eleven Labs
Encore Voices
Euro-Troll
Europa-dubbing
Factory Studios
Five2Eight Post
Fundmusic Gmbh
GM Voices Usa
Game On Creative Inc
Ginger Wave Productions
Goldcrest
Grey Willow Music
Grupo Steno
Hackenbacker UK
Hiventy
Horseless Cowboy
ID Audio UK
IDC Digital
Igloo
International sami film institute
Iyuno
Jarpa
Josai International University
Keycode
Keywords Studios France
Kitchen
LS
La Room Studio
La Shop Studios
Lakeside Animation
Les Studios de la Reine
Liquid Violet
Loudness
MAV
MM Studio
Macalla
Maserey
Matewa Media
Media For Development International Tanzania
Montemix
Multichoice South Africa
Native Audio
Netflix
Novelcast
Old Factory Films
Out of the Office Productions
Outloud Audio
Overdub Recording Studios
Overklank
PCB Productions
Phenomen Films UK
Philophon
Pixel Audio
Pixelogic Media
Post Modern Sound
Poste Haste (Deluxe)
Power of Babel Inc.
Pro Film
Pro Tools Expert
Prod Events Senegal
Qantum Infinity Limited
RDY Creative Ltd
RTE Ireland National Public Service
Red Angel Media
Rosetta Studio
Rost Media
Rotorfilm
Roundabout Entertainment
SIDE UK

Studios

Get equipped with world-class 
tools for standout production.


Dubbing and ADR

Integrate seamlessly
Connect in real-time
Operate with security
Frame-accurate cueing
Customised project reports
Intuitive interface

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Creatives

Give powerful performances that feel authentic.

Adaption, Translation and Performance

All-in-one script management
Real-time connectivity
Karaoke for voice actors
Multi-language capability
Customised reporting
Familiar interfaces

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Technical

Produce perfectly synchronised audio with phenomenal results.


DAW connectivity, studio integration and audio services

Fully-equipped
The Digital Rythmoband
Customisable media windows
Character filtering
Script support
Video support

View Customer

Case Studies

Read stories of how
VoiceQ is used worldwide

7 HOLDINGS MEDIA
7 HOLDINGS MEDIA

Fannie Brett-Rabault and Max Rabault, global dubbing exponents and founders of 7 Holdings Media, Las Vegas Nevada to discuss their experience in Dubbing in the audio post-production industry.

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AMAFU
AMAFU

Afika Soyamba, CTO of AMAFU, in South Africa, gives his thoughts on leadership and the future of work and technology in the African audio post-localization sector.

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ARKANA
ARKANA

Sean Patrick O'Reilly | Entreprenuer at Arcana in British Columbia Canada give their thoughts on the future of animation localisation.

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ATMA ENTERTAINMENTO
ATMA ENTERTAINMENTO

Daniela Justi, Co-founder at Atma Entretenimento to gives her thoughts on the future of localisation technology.

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BAM STUDIOS
BAM STUDIOS

Brian Reed, President & CEO of BAM Studios, Chicago to get his thought leadership on the future of work and technology in the audio post localization sector.

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BANG ZOOM!
BANG ZOOM!

The team at Bang Zoom! Studios in Burbank, California give their thoughts on the future of localization technology for the SVOD sector.

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BLAH BLAH BLAH DUBBING WORKSHOP
BLAH BLAH BLAH DUBBING WORKSHOP

Cedric and Laurence from Blah Blah Blah Dubbing Workshop in Ottawa, Canada share their story.

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ENCORE VOICES
ENCORE VOICES

Charles Fathy, comments on the significant time economy in scheduling and recording while working on Jim Henson's Splash and Bubbles project using VoiceQ.

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GOLDCREST POST NEW YORK
GOLDCREST POST NEW YORK

Allan Gus at GOLDCREST POST New York gives his thoughts on the future of Anime localisation.

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GREY WILLOW MUSIC
GREY WILLOW MUSIC

Lawrence “Larz” Archambault from Grey Willow Studios LLC gives his thoughts on the future of work and Native American Indian groups in the production and audio post production sector.

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IGLOO MUSIC
IGLOO MUSIC

Gus Borner, President, and the team at IGLOO MUSIC, one of the industry’s leading operators based in Burbank California, USA give thier thoughts on using VoiceQ software in their workflow.

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IGLOO MUSIC LA
IGLOO MUSIC LA

Tim Cubbison, Creative Lead and Lusine Vachents, Manager, Dubbing Operations at Igloo Music in Burbank, Los Angeles talk about VoiceQ in their workflow.

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JESSICA BLUE
JESSICA BLUE

Jessica Blue, a Voice-Over Director, Producer, Writer, and Adaptor based in LA, to discuss her experience in Dubbing in the audio post-production industry.

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NICHOLAS CORDA
NICHOLAS CORDA

Nicholas Corda is an actor and writer based out of New York City, now an adapter after working as a voice actor on various dubbing projects

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NOVELCAST
NOVELCAST

Jean-Baptiste Jeannot, Founder and Director at Novelcast FR, gives his thoughts on the future of technology for localising audio dramas audio books.

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OVERDUB
OVERDUB

Gregor Rasek at Overdub Recording Studios in Vienna, Austria gives his thoughts on the future of work and technology for the audio post localization sector in Europe.

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OVERKLANK
OVERKLANK

Stef Albertyn owner of Overklank Dubbing Studios give their thoughts on the future of localisation technology.

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PIXELOGIC MEDIA
PIXELOGIC MEDIA

Prey, a movie released last year into the Predator franchise, featured all that sci-fi horror fans expected, with something extra – strong links to the Comanche Nation.

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POST HASTE DIGITAL
POST HASTE DIGITAL

Brian Bartelt, General Manager | Vice President of Post Haste Digital in Los Angeles US to gives his thoughts on the future of localisation technology for a range of content.

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PRO TOOLS EXPERT
PRO TOOLS EXPERT

Work With ADR? We Test VoiceQ To See If It Helps You To Get The Job Done Quicker

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RED ANGEL MEDIA
RED ANGEL MEDIA

Russell Wait, Head of Dubbing at RED ANGEL MEDIA in Hong Kong gives his thoughts on the future of audio post-production technology in the Cantonese English markets.

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ROUNDABOUT ENTERTAINMENT
ROUNDABOUT ENTERTAINMENT

Charles Fathy, LA-based tranlation editor gives his thoughts on the future of localization technology for the SVOD sector.​

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SIDE
SIDE

Anthony Hales, Technical Director, Audio & Translation Services of SIDE gives his thoughts on using VoiceQ in gaming localization.

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STUDIO ZUN ZUN
STUDIO ZUN ZUN

Audio Post Entrepreneur Valeria Zunzun in Los Angeles from Zunzun Entertainment gives her thoughts on the future of audio post technology for small to medium operators working in the fast-moving SVOD sector.

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THE KITCHEN GROUP
THE KITCHEN GROUP

We caught up with key members of The Kitchen Group to get their thoughts on the future of work and technology in the audio post localization sector.

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TURNER ASIA PACIFIC
TURNER ASIA PACIFIC

Belynda Groot | Head of Localisation & Compliance, Kids Content at Turner Asia Pacific to get her thoughts on the future of localisation technology for animated sitcoms.

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USER TESTIMONIALS
USER TESTIMONIALS

Listen to what our users are saying about localization. Voice actors, Directors and Engineers from Los Angeles give their testimonials on what it was like using VoiceQ software.

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WHITEBAIT MEDIA
WHITEBAIT MEDIA

Emma Gribble-Martini of Whitebait Media gives her thoughts on the future of localisation technology and broadcast material.

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“

"VoiceQ increases the speed and accuracy of our studio dubbing services and also helps actors spot their ADR lines easier. VoiceQ user interface gives the actors and the producers a lot of confidence when dubbing."
Russell Waite

Director, Red Angel, Hong Kong

Anime series dubbing

Goldcrest Post, New York USA

"The talent no longer has to be looking at a script for the line, while also trying to look up at the screen to match lip flap.  This is an amazing improvement in our workflow."

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