Case Studies
Fannie Brett-Rabault and Max Rabault, global dubbing exponents and founders of 7 Holdings Media, Las Vegas Nevada to discuss their experience in Dubbing in the audio post-production industry.
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Afika Soyamba, CTO of AMAFU, in South Africa, gives his thoughts on leadership and the future of work and technology in the African audio post-localization sector.
Sean Patrick O'Reilly | Entreprenuer at Arcana in British Columbia Canada give their thoughts on the future of animation localisation.
Daniela Justi, Co-founder at Atma Entretenimento to gives her thoughts on the future of localisation technology.
Brian Reed, President & CEO of BAM Studios, Chicago to get his thought leadership on the future of work and technology in the audio post localization sector.
The team at Bang Zoom! Studios in Burbank, California give their thoughts on the future of localization technology for the SVOD sector.
Cedric and Laurence from Blah Blah Blah Dubbing Workshop in Ottawa, Canada share their story.
Charles Fathy, comments on the significant time economy in scheduling and recording while working on Jim Henson's Splash and Bubbles project using VoiceQ.
Allan Gus at GOLDCREST POST New York gives his thoughts on the future of Anime localisation.
Lawrence “Larz” Archambault from Grey Willow Studios LLC gives his thoughts on the future of work and Native American Indian groups in the production and audio post production sector.
Gus Borner, President, and the team at IGLOO MUSIC, one of the industry’s leading operators based in Burbank California, USA give thier thoughts on using VoiceQ software in their workflow.
Tim Cubbison, Creative Lead and Lusine Vachents, Manager, Dubbing Operations at Igloo Music in Burbank, Los Angeles talk about VoiceQ in their workflow.
Jessica Blue, a Voice-Over Director, Producer, Writer, and Adaptor based in LA, to discuss her experience in Dubbing in the audio post-production industry.
Tweedie Waititi at Matewa Media gives her thoughts on leadership, the future of culture and technology in the media localization sector.
Nicholas Corda is an actor and writer based out of New York City, now an adapter after working as a voice actor on various dubbing projects
Jean-Baptiste Jeannot, Founder and Director at Novelcast FR, gives his thoughts on the future of technology for localising audio dramas audio books.
Gregor Rasek at Overdub Recording Studios in Vienna, Austria gives his thoughts on the future of work and technology for the audio post localization sector in Europe.
Stef Albertyn owner of Overklank Dubbing Studios give their thoughts on the future of localisation technology.
Prey, a movie released last year into the Predator franchise, featured all that sci-fi horror fans expected, with something extra – strong links to the Comanche Nation.
Brian Bartelt, General Manager | Vice President of Post Haste Digital in Los Angeles US to gives his thoughts on the future of localisation technology for a range of content.
Work With ADR? We Test VoiceQ To See If It Helps You To Get The Job Done Quicker
Russell Wait, Head of Dubbing at RED ANGEL MEDIA in Hong Kong gives his thoughts on the future of audio post-production technology in the Cantonese English markets.
Charles Fathy, LA-based tranlation editor gives his thoughts on the future of localization technology for the SVOD sector.
Anthony Hales, Technical Director, Audio & Translation Services of SIDE gives his thoughts on using VoiceQ in gaming localization.
Audio Post Entrepreneur Valeria Zunzun in Los Angeles from Zunzun Entertainment gives her thoughts on the future of audio post technology for small to medium operators working in the fast-moving SVOD sector.
Belynda Groot | Head of Localisation & Compliance, Kids Content at Turner Asia Pacific to get her thoughts on the future of localisation technology for animated sitcoms.
Listen to what our users are saying about localization. Voice actors, Directors and Engineers from Los Angeles give their testimonials on what it was like using VoiceQ software.
Emma Gribble-Martini of Whitebait Media gives her thoughts on the future of localisation technology and broadcast material.
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